Javier Abarca

January 2, 2010

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Javier Abarca is a writer and educator on topics of Graffiti & Post-Graffiti.  His extensive collection of essays at Urbanario.es is a must, and it translates easily with  google translate, (I’m guessing that’s because his use of Spanish is perfect.)

Now you can also explore the English version of the site and rss feed, which he launched last month.  (His English is also perfect.)

Besides writing for books and magazines, Javier gives lectures and workshops (including a permanent workshop in urban art for the Fine Arts Faculty, Universidad Complutense de Madrid: http://apaw.javierabarca.es


(image: Alain Rault & Daniel Buren)

Sean Mahan this Friday

September 16, 2009

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Sean is a surfing swami who creates great music from Neptune Beach, Florida.  He plays every instrument you can think of.  We were arrested for painting graffiti on a Kenny Roger’s Roasters 10 years ago.  Key member of the Momodores.  Sean is also a fucking amazing painter, catch his opening this Friday in Red Hook at Brooklyn Collective – the whole gang will be there.

San Francisco

September 9, 2009

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Sam3 and MOMO collaboration at the San Fransisco Exploratorium.  Possibly the coolest place on Earth. I remember this contraption from when I was a child!

At Annon Domini
Sam3 had painted frames for his animation all over the gallery walls, running in all directions & then overlapping itself.  See animation Exsitu Insitu here More photos here

These markings above storm-drains in the city (might signal the last time they were inspected?) are everywhere, and so good looking… each color separated by loads of time, maybe a year, and happening everywhere in the city constantly! As a kid I used to think DPT really got up with the stencils, I mean I thought that for just like a minute.

Band of Skulls

August 25, 2009

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Someone sent me this (via). Band of Skulls and poster in London

Reminds me of this found photo of a Hip Hop group, from 2000.

Francis Alys on You Tube

June 1, 2009

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Francis Alys has a YouTube Channel !?

Felipe Arturo

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Nice

April 25, 2009

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This is in Williamsburg.  I wonder who did it, and where the fixed point (for bucket on a rope?) was exactly… four feet off the ground?  ten?  I bet Joel’s physics class could figure this one out.

Dazzle Car

February 16, 2009

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Thanks Joel.  Car is Patricia van Lubecks’.  I’d posted something of Dazzle in ‘05 Here.

Adam Purple / George Bliss

October 25, 2008

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I received an email from Adam Purple recently.  He says he did not create the purple foot prints (that inspired my Tag across Manhattan), George Bliss did.

I couldn’t get a confirmation of this from George, but it makes sense when you see George’s other (foot powered) inventions.  Its tough to rearrange these credits in my mind – but they are somewhat amended at the “Tag Manhattan” Press Kit.  We could still say Adam Purple inspired these footprints.  I’d love to hear more from George Bliss, on or off the record.

Adam Purple created The Garden of Eden, 1975-1986 from rubble in an abandoned area of New York City.  An annotated history is here, an interesting personal account is here.  Between 1967 and 1971 he published books containing “zentences”, one of which remains preserved in the New York Public Library’s rare book collection.  See the latest (flash) expression of this here.  He currently creates pod-casts as rev. les ego.  You can find his own documentation of these projects linked through these sites, including a journal of the Garden of Eden’s creation LIFE with les(s) ego available for donation through the mail.  And though Adam abhors the New York Times, I enjoyed reading this article.

George Bliss is a bicycle designer, contributing to the development of freight bicycles; Dump Trike, Pick-Up Trike and pedicabs.  He’s pioneered and fought for the pedicab industry in NY with his fleet at The Hub Station.  In 1992 he coined the term Critical Mass. (*http://www.nationmaster.com)


Thanks to Harvey Wang for this photo.

holy shit – SAM3

May 5, 2008

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I was laying on the ground in real darkness getting these photos, with the shutter open 15 seconds.  It was very inspiring.  See all the photos >>here<<

See Sam’s site: http://sam3.es

& blog: http://sam3-security.blogspot.com

The Lance

August 2, 2006

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I’d like to highlight the work of The Lance here, but I have NO photos. Only memories. That’s going to be tough. (Here I’ve drawn a few pictures from memory.)

The Lance seemed to be a runaway with some emotional problems, living in Key West Florida, most of the 2-3 years I was there.

The Lance may be one of the best and most real street artists you’ll ever meet. I knew this at the time, but lacked the courage to do anything about it. (or what could I do?). I tried to talk to him once and he couldn’t hear me. He was walking in zig-zag patterns reading a book upside down and I was following him, raising my voice. I thought I’d waited a long time to make this decision; to make this connection, and now I looked really foolish because it wasn’t solely my decision to make, was it?

Finally Lance pulled giant orange industrial earplugs out of his ears and said “Oh, Hello.”

Then I explained I loved his work and named all I knew of, or had seen.

There was the time he dressed in a business suit and wore an cell-phone ear-piece and yelled, really yelled all sorts of business jargon in the middle of the Key West crowds. It was so funny. But to see him going at it, you knew it wasn’t a joke for him, and there was no chance he was earning money as a busker for this.

One time he walked around with a box labeled Top Secret, looking down into it, totally shocked and silent.

Much of the time he would read out-loud from books with a fury that would make you dismiss him as mad. Then you’d hear from the towns only copy shop that he’s there all the time creating stacks of pamphlets with big bold words like “Lance is great”. Or other pseudo-campaigns that would take the rest of the day to hand-out on the street. And that made me think he was really quite clever and self aware.

I don’t think he ever documented his work, and while I was standing there praising him, I saw no sign of pride, not even concealed pride. He just looked through me and asked if I’d read “1984″. It was in his hands and he had to be specific with what alarmed him right then. I didn’t need to meet anyone so “real” and selfless, but I really think I did. I’m a cynic, but Lance was authentic.

Lance was a mystery. Where did he get money for these projects, where did he come from each day?

The last things I’d seen him do – was his name in straight forward letters: The Lance, spray-painted in fluorescent colors on trash.

He’d touched on graffiti from street performance, but it was so funny that while 5 or 6 of us in the tiny town wanted to do our part for graffiti, meaning do something like a Bronx Burner, and we would all get arrested eventually, The Lance never looked up or played that game, just flipped it. I still think seeing big horrible letters freely written all over piles of trash is some of the most amazing street art I’ve seen. The surprise and legality of it had fooled everyone and you couldn’t slow him down without the town becoming less wasteful.

The very last thing I saw was a 4ft cow probably from Ben & Jerry’s – installed in an abandoned shop window. a connected thought bubble told you who’d done it. It looked ridiculous. There was a crime of breaking and entering & some kind of street art installed. But you couldn’t say there was anything cool about it. It just looked so funny standing in the window. It was real Dada. He stuck society with society, which is smarter than say; a cool stencil of anything “revolutionary”.

He also played music on an acoustic guitar that he pounded till it sounded amplified.

Where is Lance now? I’d like to know. My friends say he’s not in Key West.

Joel as Baron Manfred von Richthofen

March 6, 2006

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Just back from Mardi Gras – before I say anything – give this video a try – and give it some volume!

Red Baron from MOMO on Vimeo.
Mardi Gras ‘06 New Orleans.
Music from Dr. John

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